"Nobody" Sayings and Quotes
In India, nobody really talks about works of art; they always talk about the appreciation of art. You buy this for 3,000 rupees, it'll become 30,000 in two months.
If nobody said anything unless he knew what he was talking about, a ghastly hush would descend upon the earth.
I can think of films that I'm producing right now that are extremely hard-hitting, graphic films, that nobody necessarily wants to see, graphic in terms of violence, of adult content and racial and historical subject matter.
Now, as far as I know, nobody has ever put up the U.S.'s nuclear missiles on the Internet. I mean, it's not something I've heard about.
If you want someone to say, 'She's so sweet, and she's so cute, and, honey, point your foot,' that's not my school. You can go to the YMCA and have a nobody teach your kid if that's what you want to hear.
We have a safe and good command-and-control system. Nobody can take away any nuclear weapon from Pakistan.
When you get billions in aid and your weapons resupplied and your ammunition stock resupplied, you don't learn the lesson that war is bad and nobody wins.
Your results are very quantifiable. And nobody can take those results away from you. They are yours... All of that, I think, is very good for women.
My main influence is Kool G Rap and Cam'ron, pretty much. If you were to mix those two people up, I wish that would be me... This is my voice. I sound like nobody; I sound like me.
We were from downtown, so we were rapping in Danceteria, in these white downtown clubs, really. Nobody downtown was rapping. Nobody we knew was rapping. So we were like, 'We should do it.' We weren't making fun of it; we loved it, and we wanted to be part of it.
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Youth theatre isn't just about a precocious child that wants to sing and dance in front of people. It's for everyone; it's about a community, it's about being supported by your peer group. You learn skills - not just acting but all the other sides - working in the TV, film, and theatre industry.
I didn't know Chicago was so aggressive. It's real aggressive out here. Everybody kind of recognizes you out here. But it's a good feeling.
In traditional Asian arts, the word and the picture always sit next to each other. I have an aunt, a Chinese brush painter, who told me that when you do a Chinese brush painting, you have to pair the image up with some poetry.
What I found out is, I need complete autonomy. I can't have nobody looking over my shoulder saying I can't say this or that.
Depending on the point in the game and what's necessary, if you can deliver the play, whatever that is - heck, if it's a screen - and you get a guy open, and he scores a big basket for you, that gives me as much of a charge as anything.
You want to encourage yourself to take risks. If you make a mistake trying to do something, you can fix it later.
I always go for the craft first because, to me, that's like an oil well - you either hit the oil or you don't.
I love what I do for a living, it's the greatest job in the world, but you have to survive an awful lot of attention that you don't truly deserve and you have to live up to your professional responsibilities and I'm always trying to balance that with what is really important.